Movie Magazine International Blog

By Moira Sullivan Chiwetel Ejiofor as Solomon Northup Steve McQueen ’s 12 Years a Slave is one of the most brutal narratives on slavery that has been made to date. The 44-year-old British filmmaker has been turning out exceptional provocative films such as Shame on sex addition   and Hunger on   the IRA leader Bobby Sands who conducted a hunger strike and died in prison. 12 Years a Slave stars Chiwetel Ejiofor as Solomon Northup, a free black man who is abducted in Washington DC in 1841 on a short trip from his home in Saratoga Springs New York. The purpose is   to accompany musicians on his violin but he is kidnapped and sold into slavery in the south leaving behind his wife and children. During these long hard years, this educated man who was an engineer has to endure the worst kind of treatment where he is beaten for being too clever and is forced to dumb down to prevent further abuse. This film makes you realize how racism continues and today’s m...

By Moira Sullivan The Enigmatic Octavio Coleman The Institute is a feature-length documentary directed by Spencer McCall featured at the 2012  Mill Valley Film Festival about the Games of Nonchalance , the San Francisco-based alternate reality game known as the The Jejune Institute which existed from 2008 to 2011 and closed due to lack of funds. The film consists of interviews with the players who wind up following the trail of posters around the city to a downtown office on 580 California Street. Here is the headquarters for Nonchalance, a Situational Design Agency. The game as a whole is actually an emergent new art form where everyday messages in the real world have unforeseen consequences, some of which make absolutely no sense according to some of the participants and others which lead to enlightenment. At first the recruits feel like the moonie devotees to the Unification Church created by Sun Myung Moon, or the Scientologist devotees to Dianetics and L Ron H...

By Moira Sullivan Wadjda by Haifaa Al-Mansour has the distinction of being the first feature film by a woman from Saudi Arabia and one of the Kingdoms most celebrated filmmakers. The film has won multiple international awards such as Scandinavia and Rotterdam and special awards at the Venice Film Festival. Haifaa Al-Mansour was selected as the president of the Opera Prima jury at the 70 th Venice Film Festival in September. The jury chooses the best debut film   for the the Lion of the Future Award. It is surprising how much liberty Al Mansour takes with her subject about a young girl who is bound by strict devotion to Muslim practice. All the young Wadjda dreams of is owning a green bicycle and to earn the money for it she enters a contest at school in which she has to memorize and recite parts of the Koran in the traditional fashion. This is not an easy task, and to study for it she buys an interactive video game on the Koran with money she earns by selling her own hand ...

Niels Arestrup, Nicolas Bridet and Lorànt Deutsch It has taken two years for You Will Be My Son (Tu seras mon fils, France 2011) by Gilles Legrand to find its way to San Francisco and the film opens on Sept 20 at Landmark Theatre. The film stars Niels Arestrup as Paul de Marseul, the head of a winery in France who wants to leave his estate to Phillipe Amelot the son of his manager Francois (Patrick Chesnais) who is dying of cancer. This does not set well with his own son Martin ( Lorànt Deutsch ) who wants to take over some day. Nicolas Bridet as Philippe was nominated for an acting award at the French national awards, the César, for his portrayal of a young man with ambition and questionable morals. This film is on the order of a Greek tragedy with a power struggle that contrasts father and son as abuser and abused. You Are My Son is technically proficient with many intriguing layers including dream states. You grow to hate Paul,  and that is to the credit of the Fre...

By Moira Sullivan In Claire Denis White Material set in an unknown period in an unknown country we could believe that it is Cameroun   in the midst of winning its independence with a long war that dragged out for 10 more years of civil strife. Rebel soldiers roam the lands of the French and steal their possessions. The French are leaving, and those remaining are unprotected. Marie Duval (Isabelle Hubert) insists on staying. She is oblivious to the dangers, and puts her family and her workers and servants at risk for refusing to leave. A local DJ gives news to the rebels in veiled language, and everywhere in the film , a transistor radio updates the ongoing strife. In general, the news of everything from   marriage, to weather conditions is transmitted by radio. White Material is told in a smooth fragmented narrative style . Its chronology is inverted with the present at the apex of the film and frequent flashbacks to the days when the colonial presence was intact ...

By Monica Sullivan David Shields’ new book “Still” looks at the past as if it were a fresh, undiscovered country.  His viewpoint is that a pristine still is more evocative of its era than a scratchy dupey print of the same period.  By that logic, a remark I once heard about Theda Bara (“She works better in stills”) would eliminate most of her work from scholarly consideration.  So…the pictures in “Stills” are breathtakingly gorgeous but try to see the movies anyway, flawed though they may be.  After seeing a still of Elsie Ferguson from her heyday, I finally was able to watch “Scarlet Pages” from 1930, which was not her heyday, but well worth a look.  For a very long time I waited for 1929’s Jeanne Eagles “The Letter” to crop up sometime, anytime, somewhere, anywhere.  When it finally did, it was worth waiting for.  The print quality was not the best, but to see and hear 1929’s best performance (sorry Miss Pickford, but “Coquette' wasn’t it) was unfo...

By Moira Sullivan Isaach De Bankolé and Cécile Ducasse in Chocolat. The League of Nations mandated 91% of Cameroun to France after World War 1. It was not until 1960 that it became independent. Clair Denis' film Chocolat concerns a young French girl’s upbringing in Cameroun during the mandate. She lives on a manor where her father Marc Dalens ( François Cluzet ) is a captain in a colonial outpost and her mother Aimée Dalens   ( Giulia Boschi ) is head of the household. Assisting her are black servants, and the most prominent and dutiful one is Protée ( Isaach De Bankolé ) . His upbringing in the Christian church and his pride as a black man have contributed to his impeccable sense of morality, and according to de Bankolé who plays him, the hope for the future of Africa. The grown France ( Mireille Perrier ) in many ways like Claire Denis who grew up in Dijbouti, returns in the beginning of the film to Cameroun. She is alone and observes a father and his son swimming ...

By Moira Sullivan Amin Jaafari (Ali Suliman) finds a poster of his wife in Palestine's ' 'Ground Zero' in The Attack   The Attack is an unexpectedly shocking film about a Palestinian and Israeli national whose wife turns out to be a suicide bomber.  In the opening scenes of the film Amin Jaafari (Ali Suliman) receives a prize for his distinguished service as a surgeon at an Israeli hospital, the first Arab  to be honored. In his acceptance speech he thanks his adopted country for making his career possible. During the ceremony he receives a phone call that he doesn’t take and we learn of the consequences of that aborted call later.  Amin is soon visited the Israeli secret police who accuse him of being involved in the bombing attack, something that he hears from his balcony at the hospital a few hours earlier. Nearly 20 Israelis are killed and the injured are admitted for emergency treatment, most of them children, who he attends to. To his astonishment ...

Mikkel Hartmann ( Pilou Asbæk ) " A Hijacking" ( Kapringen, Denmark 2012) )   is a film about a Danish cargo ship that is hijacked by Somalian pirates in the middle of the Indian ocean, direct ed by Tobias Lindholm. On board are seven men who are held captive. Three of the men are allowed on deck: the cook, the captain and the mechanic. Most of the film concerns the negotiations made by the owner of the ship, a Danish multimillion-dollar concern. The CEO Peter C. Ludvigsen  ( Søren Malling ) is a very rigid and controlled Danish man in his 50’s. We learn about his emotionless negotiation power in a deal selling with Japanese businessman at the beginning of the film. He’s a hard bargainer and maybe that makes sense when you are dealing with another corporate entity, but not with the lives of seven men. These men are onboard a ship with sordid and unsanitary conditions for almost 4 months.  The Somalian negotiations are conducted through an interpreter named O...

Agnès Godard in San Francisco ©Moira Sullivan By Moira Sullivan Agnès Godard has been a cinematographer since the 1970s when she started out as first assistant cameraperson for Wim Wenders in Paris Texas (1984). She worked alongside the assistant director Claire Denis, a woman that Godard would later be working with for more than two decades years. She is the special guest of the Pacific Film Archives program "Dancing with Light: The Cinematography of Agnès Godard" .  In the special interview with Godard that follows for Movie Magazine, Godard reveals some of her thoughts that she presented in a special lecture on June 13 about her work as a cinematographer – especially the process in finding the right image. Six of her films as cinematographer were selected for the program and all directed by Denis except one. Beau Travail  from 1999 is a homoerotic narrative about French legionnaires. Trouble Every Day from 2001 is about two men who keep their woman captive ...