Park Chan Wook’s technically executed "The Handmaiden" follows Amazon's orders
By Moira Sullivan Official poster is a narrative of the narrative Park Chan Wook’s “Mademoiselle (Agassi, South Korea)” - "The Handmaiden" in its US Theatrical release, is a skillfully made narrative on sexual bondage during the Japanese colonization of South Korea in the 1930's. Set designer Ryu Seong-hie won the “Vulcain Prize For An Artist Technician” at the Cannes Film Festival in May 22, one of the top prizes for technical achievement, a prize that is seldom given. The set designer also worked on Park Chan Wook’s “Oldboy” and “Thirst” and is definitely a brilliant craftsperson who brings high quality to film. The virtues of Ryu Seong-hie’s work shines through and at first glance the film is so exquisitely composed that for a moment the Palme d’Or comes to mind. However, for that to succeed there has to be more cohesion than just set design, for neither Park Chan Wook nor 2013 Palme d'Or recipient Abdellatif Kechiche (who directed "La Vie d...