Roy Andersson's "About Endlessness"
By Moira Jean Sullivan I have seen many Roy Andersson films through the years. His latest About Endlessness (2019) which won the best director award in Venice that year, is a good term to describe all of his previous films of the last years. Though they are different in themes, they are always the same, a still mise en scene - composition of the frame. There is no camera action but one long take and Andersson has been working this way since 2000. You are forced to concentrate on what is within the scene, and because of the stillness, the endlessness, you have the opportunity to focus on every detail. This is different from nearly all films, and there is probably only one filmmaker in the world that does this: Roy Andersson. He perfected this style by making commercials for years, which were usually one take scenes, and he took this style to feature film. The first one he made won the Palme d’Or in 2000 – Songs from the Second Floor. The colors in his films are drab, the dec...