Movie Magazine International Blog

By Moira Sullivan Official poster is a narrative of the narrative Park Chan Wook’s “Mademoiselle (Agassi, South Korea)” - "The Handmaiden" in its US Theatrical release, is a skillfully made narrative on sexual bondage during the Japanese colonization of South Korea in the 1930's. Set designer Ryu Seong-hie won the “Vulcain Prize For An Artist Technician” at the Cannes Film Festival in May 22, one of the top prizes for technical achievement, a prize that is seldom given. The set designer also worked on Park Chan Wook’s “Oldboy” and “Thirst” and is definitely a brilliant craftsperson who brings high quality to film.  The virtues of Ryu Seong-hie’s work shines through and at first glance the film is so exquisitely composed that for a moment the Palme d’Or comes to mind.  However, for that to succeed there has to be more cohesion than just set design, for neither Park Chan Wook nor 2013 Palme d'Or recipient Abdellatif Kechiche (who directed "La Vie d

By Moira Sullivan Aquarius directed by Kleber Mendonça Filho was part of the official lineup of the recent Cannes Film Festival. The contemplative and well-crafted film rests on the laurels of Brazilian actress Sônia Braga who plays Clara, a 66-year-old woman who has lived in the same apartment for over 25 years. A management firm has persuaded everyone in the Aquarius building to move out so that they can presumably demolish it and put up a new one - all except Clara and her housekeeper. The film is divided into three parts ‘O Cabelo de Clara” (Clara’s Hair), ‘O Amor de Clara’   (Clara’s Love), and ‘O Câncer de Clara’, Clara’s Cancer. Aquarius opens with a series of black and white stills of the Boa Viagem beach front in Recife during the 1980’s, tree lined, spacious, a few cars notably several VW Beetles and the foreboding presence of many high rise apartment buildings. The opening song “Hoje” (Today) accompanying the photos is written by Brazilian singer/songwriter Tai

By Moira Sullivan Producer  Sharon Stone interviews Sam Harris, the youngest remaining survivor  of the Holocaust, in  An Undeniable Voice  October 29 at Stanford University. Once again it is that time of year for the United Nations Film Festival, a collection of 60 films from around the world that have been created to help make our world a better place to live in. Many of the films this year are directed by women. The films will screen in venues in San Francisco and Palo Alto from Oct 20-30. The countries for the 19th edition include Afghanistan, Cuba, Ethiopia, India, Iraq, ,Nepal, Pakistan, Peru, South Africa, and the US. Some of the topics this year are climate change, the impact of industrial and military ocean noise on whales, efforts to restore violins recovered from the Holocaust, Islamic seminars for children, refugees using the power of theater, and the historic inspiration to the Black Lives Matter movement today. Agents of Change will screen 10/26 directe

By Moira Sullivan The title of this film about four women who were put in prison and sentenced to long terms:   Southwest Of Salem: The Story Of The San Antonio Four  accurately describes how a Texas judge and those who testified against these four Latina lesbians were involved in a homophobic witchhunt. Their outrageous sentences - 37 years of imprisonment for one women and 15 years for the other three amounts to a hate crime. The women   did not plea bargain and have all served 15 years. Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez are now out of prison awaiting their exoneration appeal. Their case was submitted to lawyers in the "Innocence Project of Texas" for this purpose. No evidence was presented in court that the alleged crimes took place. One of the interviewees in the film, Debbie Nathan, wrote together with Michael  Snedeker, Satan's silence: ritual abuse and the making of a modern American witch hunt (1995)  on