Showing posts from September, 2009

Bruno - Movie Review

By Jonathan W. Wind "What's D&G," asks Bruno, "Why Dolce & Gabanna, Hello?" I have to say I wasn't really expecting to enjoy Bruno, so when we arrived at the movie theater I was already uneasy, I'd seen the trailer - would I be inclined to storm out indignantly, as some people actually did?. My partner and I settled ourselves in, expecting a kind of gay "Borat." "Borat" was Sacha Baron Cohen's first foray into the "reality movie," not a documentary, mind you, more the thinking man's expose, and it was pretty funny. But all I kept hearing about "Bruno" was "it's over the top," and, well, it is, but it's even more than that. From the opening frame, no credits, Bruno plunges in. Bruno is a flamboyant limp-wristed fashion reporterr from Austria, a screamer with no boundaries. There are suggestively graphic scenes so preposterous I pondered my own sanity, but gradually the message

The Baader-Meinhof Complex - Movie Review

By Moira Sullivan The Oscar nominated Baader Meinhof Complex (best foreign language film from Germany) was bound to be made, and Uli Edel has done it. Not since Margarethe von Trotta’s The German Sisters (1981) has such a compelling film been made on the political violence of German youth in the late 60s and 70’s. It was a time of rebellion against the police state Germany had become and many decided to strike back with force. The Red Army Faction (RAF) was formed in 1976 and was behind several bombings, kidnapping and assassinations of political leaders. The key members were Andreas Baader, Ulrike Meinhof and Gudrun Ensslin. The film traces the evolution of the group and their demise and secretly arranged execution in prison that was made to look like a suicide. In the opening scene we learn of the early public attention Ulrike Meinhof (Martina Gedeck) garnished for covering the pompous state visit of the Shah of Iran in 1967, representing a country of vast illiteracy and poverty

Taking Woodstock - Movie Review

By Moira Sullivan Taking Woodstock is Ang Lee's latest picture that takes a look at the origins of the Woodstock festival in New York in August of 1969. It is based on the autobiography of Elliot Tiber, the son of two Russian Jewish immigrants who maintain a not very successful farm in upstate New York. James Shamus wrote the screenplay together with Tiber, which is a delightful one. The film gets great support from the outstanding performance of Imelda Staunton as Eliot’s mother Sonia and this is an actress who truly is able to play a wide variety of roles and still remain unique in every one of them. The story of Woodstock is taken from the point of view of Tiber. In this film he is called Eliot Teichberg, played by newcomer Demitri Martin. This is a great way to look at the Woodstock event for after all must of us have already seen or can see the concert footage. Instead Ang Lee shows us the metamorphosis of the land mass that later was to be home to thousands of middle