Movie Magazine International Blog

By Moira Sullivan Florian Zeller is an exciting director who has made two relevant and meaningful films about difficult subjects. He explores a daughter's relationship with her father who has Alzheimer's in The Father (2020), and in The Son (2022)a father's relationship with his chronically depressed young son. His latest film provides a painful look at a tortured young man. The seemingly bottomless pain is seldom so openly revealed. Even if Hugh Jackman as Peter is excellent, the stellar performance is Zen McGrath as Nicholas, Peter’s son. The film debuted at Venice in September. While it seems to be Peter’s new marriage to Beth (Vanessa Kirby)and their new infant that has made Nicholas majorly depressed it could also be the bust up of Peter and Kate (Laura Deren) Nicholas’ parents. The film script sets up plenty of draconian evidence for why Nicholas is depressed with flashbacks to when the original nuclear family was harmonious such as on idyllic holidays. But, Nic

By Moira Jean Sullivan  © Sony Pictures Classics Living is a finely crafted film set in England in the 1950s by South African director Oliver Hermanus based on  Ikiru (To Live),  a film made in 1952 by Akira Kurosawa inspired by a novella by Leo Tolstoy The Death of Ivan Ilyich (1886). The British version of Living in full regalia is now in San Francisco Landmark Theatres written by Nobel prize winning author Kazuo Ishiguro with rights granted by the Kurosawa estate. Ishiguro who has seen Ikiru many times before fused his own memories of Britain’s pre-and post-War culture in this latest production. The setting is an England being rebuilt after the war and focuses on the efforts of the government planning department to renew the façade and structures of London. Aimee Lee Wood and Bill Nighy   © Sony Pictures Classics Bill Nighy plays veteran civil servant Williams, a bureaucrat in a city department. He is head of a small team commuting to London by train on weekdays